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Audio Enhancement Section
Right Side of Board - The Audio Enhancement

theremin2@oldtemecula.com

Under Construction

See EWS Mod for Latest Info

Use a magnifying glass to inspect your soldering and part values.

- This project is the true meaning of serendipity -

Do not substitute earth ground for a stretched out cable on the floor. With an analog theremin that will prevent you from having the fullest Classic Theremin sound. In digital theremin's this is not so important, listen to how they sound in comparison. I will post a scope picture sample of the same waveform with and without earth ground.

4.10.20

Today I am setting up a new laptop computer I bought six months ago as a back up. I ordered and waiting on a USB sound card with Microphone input and Audio output. It may also work as a headphone amp. This comes from China but might ship out of Pomona CA - I installed Audacity to record what I hear against what I see on the scope.

Once again as so many times before I notice an odd unexpected behavior.  I see the excellent Vocal wave shape on the scope, then flip a switch and the wave shape takes on a new character of what I think might be closer to a natural Cello sound. (see next image down) This could turn out to be second timbre knob. 

Classic Sound Page 
Good Info

It is U3 an optical isolator & T1 a 600 ohm 1:1 transformer working together with feedback to get this waveform. The first time I found it was using a vacuum tube and 1N914 diode mixer/detector and it would not show up again for weeks. This circuit should be correct on the schematic.

.5 msec/div     .5 v/div

This is an excellent Vocal wave shape as of 4.10.20
The skew on top is the even harmonics, the lower droop is the deeper throaty sound

10.23.20 The p-p voltage on the secondary of the audio transformer is between .7 and 1 volt for the beautiful sound. It is possible to drive the voltage to 3.5 volts p-p with clipping in the Op amp powered at 5 volts, it will look similar but will not have the sound your are after. For me the sound has always been elusive. Does circuit temperature have something to do with it?

These RCA wave shapes are from master builder Andrew Baron's RCA Registry webpage. Read what he states creates a beautiful sound.

Notice the RCA 880 Hz wave shape, the RCA 220 Hz flat bottom creates the low end buzzy sound.

 

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This is the circuit that creates the wave shape for a beautiful Vocal sound. A switch break at the red x with a 5k potentiometer inserted allows an adjustment of Sine Wave at 0 ohms to Full grittiness at 5k. This should work with any theremin's 1 volt p-p sine wave output including vacuum tubes. Like pitch preview it needs to be before the volume control.

The Opto chip U3 V0618a works in conjunction with the 600 ohm 1:1 audio transformer to control the skew at the top of the wave shape. This is where the even harmonics are generated. Using the higher voltage MPSA42-AP transistors and the sluggishness RF detector circuit with minimal current flow creates the lower more throaty side of the vocal sound.

An oscilloscope should view the audio signal at TP2 for the real and desired .7 volt p-p wave shape.

I was aware of this ten years ago but it seems we are all stubborn at TW, no one listens and we all do our own thing. The Thierry Bass Mod should be redesigned so it has the low end and the upper Vocal side. 

- People could stop spending big money for beautiful sound -


Two Timbre knobs are possible. Sine to Vocal, Vocal to Cello 'ish and what's in between. 
I am in suspense of what has been revealed, no sound for even me till I receive the sound card 4.17.20

With the on board S3 switch you can select your Vocal sound or pre dialed in Gritty sound.

.5 msec/div     .5 v/div


Ideal Sine Wave Whistle

.5 msec/div     10 mv/div

Above this clean audio signal is un-amplified measured after the detector diode, taken at pin-2 of U1 LM358

My original heterodyne method allows for the ideal mix, shape and amplitude of the audio signal after the detector/mixer D1 diode. I can increase the raw audio signal amplitude up to 500 mv, not desirable.

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Peter Pringle gets his sound using the Millennia STT-1

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- above these two lines is the new build progress as I go, build started 3.27.20 -


 

 

Mouser Parts List
List is for a Single Board Construction

Always Check Parts List For What is Out of Stock!


Graphic of Actual Parts Locations
3.03.20

This single board is switchable, either Pitch or Volume, two boards needed for theremin.


A small grounded metal shield is place over the L2 fixed oscillator section to keep the Electrodeum antenna capacitive feedback from interfering or distorting the wave shape. It also blocks 50/60hz from being picked up.

 Fixed ferrite coils can be used with a trimmer Cap.

A replacement for the original Timbre adjustment is using a small resistance at Pot-b in series with Pot-1a.

On the Pitch setup Pot-1a is between the LM358 sides a & b which determines the drive amplitude into the audio transformer circuit. This is set about 1/3 the way at first and works in conjunction with Pot-5 the Timbre signal strength from the oscillators. This combination in series drives the transformer circuit. 

Pot-1b is in series with Pot-1a, this is for fine Timbre adjust.
At test point TP3 above S2 next to the transformer the amplitude is kept low and should be ~
.7 volts p-p for the proper sound to develop. The ideal wave shape will be viewed there.

 

On the Volume setup the RF signal for detection comes from the L1 variable oscillator or loop antenna side, off of the emitter of Q1 through R23- 330k resistor, this is switched in. 

Pot-1b is in series with Pot-1a, this is for fine Timbre or Volume trigger peak adjustment.

The main purpose of the 555 is to drive the LED's which one is also inside the Vactrol for the pulse width modulation PWM volume control. The C9- 470uf capacitor averages this control voltage from the 555 which varies the resistance of the Vactrol output cell which then audio passes through, controlling the volume.

 Updated 4.08.20

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