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3.16.14 

Theremin
Phoenix
Volume Control PWM

This is the raw Volume wave shape at Out-2B (Also visit Pitch Wave)

- I use a Vactrol VTL5C1, the higher values like VTL5C2 are too slow for our use -


The best volume shading comes from the downward spiky waveform.

Proper volume control with good shading is developed around the ideal oscillator wave shape. 

When recording this waveform "bypass" any Ground Loop Isolator that might be in the 
signal path as this will invert the signal and distort the wave shape.


Volume Control only - Place a 100K resistor in the 3 x 3 ABCD terminal from B to Ant2, this over drives the L1 & L2 mixing to get the wave shape below. R12-1M above U1 needs to be a 47K to reduce the amplitude down to 1v p-p at Out-2BDo not use a ground plate with the volume board. The white jumper wires are "not" used on the Volume Board.

Sample the wave shape or pulsing signal at Out-2B. 


At the Null Point the Volume is Maximum, green LED-1 bright, breaking out of Null more negative spikes (0 to 500 hz) quiets the sound.

This wave shape sample is taken from the Out-2B  TRS 3.5 mm stereo jack on the Phoenix Volume Control board. It will not sound good but we are only interested in the wave shape. 

Sounds like this .mp3 80k
Ugly but perfect for Volume Control

The display reveals the amplitude of the signal arriving at the sound card without any distortion like the flattening of the peaks by overdriving. Pot-1 controls the signal level to the Out-2B jack and  turned up too high will introduce unwanted distortion.

Above is real-time but the wave shape can also be recorded into Audacity and spread out to view.

Try and match my frequency. The image is Screen Captured by holding the "Alt"- key and pressing "Print Screen" on your keyboard to transfer the image to the clipboard,  then paste the image into a Photoshop file and save as a .gif image file.  I may ask you to send me this graphic file for troubleshooting.

Download this Excellent Theremin Pitch Tuner  v1.3
Also download his Spectrum Analyzer v2.9
Freeware

Do not pass the volume signal through the ground loop filter when viewing it, this will invert and distort it.

An insulated volume loop will give better performance than touching a raw metal.
Instead of coating the outside of the volume loop with insulation, use rubber insulated wire on the inside of the loop made of plastic or metal and connect this to the volume antenna terminal.

Use two MPS-A42 Transistors on the oscillator section for Q1 & Q2 and one near the 555 on the main board Q3.  Different oscillator transistors effect the wave shape and thermal drift behavior.

Setting up the Spiky Waveform for PWM

Individual downward spikes build up to quiet the volume, the higher the frequency the more downward spikes to the point it shut off the Vactrol's internal LED which mutes the sound.

This is the Black Art of Oscillators looking for a spiky waveform.

You need to bypass the 10x gain of U1b when using the Volume Control spiky signal. The Volume loop connects to Ant- (not Ant2)  Method #1 is most likely the method you will use. Do not have any wires in the ABCD terminal.

The red LED-2 is an excellent tuning aid as you learn to understand its response.

Method #1: The Volume Loop connects to Ant- (not Ant2). A good spiky waveform is created by connecting a 100k (47k)resistor from terminal B to Ant2

If the signal near Pot-1 sampled at the left side of C15-1uf is pointing Down use this method. If Up go to Method #2

Set Pot-1 at a half or less, do not overdrive the Q3 transistor circuit triggering the 555 or the square wave out at pin 3 of the 555 will have a poor positive to negative pulse width driving the Vactrol. R12-1M should be changed to 47k.

Method #2: Loop connects to Ant- (not Ant2). A good spiky waveform is created by connecting a 100k (47k) resistor from terminal B to Ant2. If the signal near Pot-1 sampled at the left side of C15-1uf is pointing Up use this method.

If the spike is Down go to Method #1

Remove the Op U1 chip and fold out pin #7 so it does not insert back into the socket. Pin #7 of U1 is located just below the 00 of the R11 resistor. Then install a jumper bypass wire from the center tip of Pot-1 over to TP-1. This prevents U1b from inverting the signal.

Pot-1 should be set halfway or more so you get the proper drive and response from the 555 driving the Vactrol.

Edit 8.04.13  Which ever method is used a negative going 1 volt p-p spike must be found at the right side of C1 near Output-2. Otherwise the Volume Control will respond with no shading, just on/off.

On the Volume Control board start with Pot-1 and Pot-2 set 1/2 way. Only Pot-1 controls the drive to the 555. Both Pots control the signal intensity at the Out-2B Jack, you don't want to overdrive the sound card input which will flatten the peaks of your sample or make it look square, peaks with flat tops. Use a stereo cable to feed the volume oscillator signal from Out-2B on the Volume Control board into your sound card direct with no hum loop filter in the path which will invert the signal. View your wave shape in Audacity

Do not install any Mute jumper wire used at the T5 terminal near the Vactrol until everything is dialed in. Shorting across T5 Mutes the sound.

Note: Some sound cards might invert the displayed image when it is actually in the correct direction. If the wave shape is correct and really reversed (the broad side is at the bottom) the volume response will reveal this with a quick volume On/Off with no volume shading

Do not use a ground plate on the board used for Volume Control. 

You must have a reasonable waveform before you can start  fine tuning the frequency response of your setup.

The wave form graphic on this page was recorded in Audacity then spread out in the display. If you have an oscilloscope monitor the Out-2B for quicker reference. It is important that at around 100 hz the frequency top side of the wave form is wide while the negative going spike is narrow. Volume shading requires this spiky wave shape to perform effectively.

If the volume oscillator signal is at Null then a flat line is what you would see in Audacity while sampling the Out-2B signal on the volume board. The green LED-1 will be On while the red LED-2 will be Off. The Vactrol outputs maximum volume at this point if an audio signal was passing through the Vactrol.

As the volume oscillators signal frequency increases with your hand approaching the volume loop the negative spikes get closer together with more of them, each negative spike pushes the volume quieter as the average spike count increases. 

The Op Amp amplified signal drives the volume board Q3 transistor which drives the 555 IC for Pulse Width Modulation output at pin 3. The 555 is used as a Schmitt Trigger to square up and strengthen the signal. The output pin 3 of the 555 drives the Vactrol internal LED and the two other LED's. C9-470 uf capacitor smoothes the 555 pulsing to average the current through the Vactrol internal LED and LED-1.

The green LED-1 is lit when the Vactrol can pass the maximum audio signal volume as it is at minimum resistance. If one of the LED's never seems to light or flash at power up, it probably is mounted in the wrong direction. 

LC Tuning can be done by only using the red LED-2 on the Volume & Pitch board. Normally if it is lit the 555 is getting the heterodyning signal even if it is out of hearing range. Observing LED-2 you can properly adjust the L1 oscillator coil without ever listening to Out-2B. If the LED-2 is off and with the oscillators at the Null Point, moving your hand near L1 or the antenna will turn the LED-2 on.

The Pitch board is tune to ~900 kHz and the Volume board to ~750 kHz.

While adjusting L1, passing over the Null Point the LED-2 will quickly turn off then rapidly back on. Carefully adjust the LED-2 to be off at the Null Point.

If the red LED-2 is On the sound is most likely attenuating or  off because the volume oscillator is producing audio spikes and not at the Null point. Only red LED-2 can be substituted for any type or color of LED you like. LED-1 is critical as its forward voltage needs to stay below 2.5v for the volume control shading to be correct.

You want to find a balance between the Null Point set by your hand distance from the loop and the maximum quieting response when turning Pot-1 clockwise with your hand closest to the loop. Experiment with this as volume shading can be quite good. It is all about using the proper wave shape. Also adding Modification R32-2.2k enhances shading even more. You could use a switch to flip R32 in or out to select the desired shading response.

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Standard Volume Direction: Attach your volume antenna to the Ant- connection by L2, set Pot-4 on the 3 x 3 section to 1/2 way, keep all metallic objects or surfaces like your PCB and volume loop setup, place it on a cardboard box. 

Normally set L1 on the volume board mid way. Adjust the L2 RF coil fixed oscillator on the antenna side so the red tuning LED turns off which should be the Null Point and the loudest volume.  This can be audibly monitored with a 3.5 mm cable plugged into Out-2B and an amplifier. It won't sound good, we are only interested in the wave shape.

Using the Phoenix board as a stand alone volume control you can plug-in any theremins line output into the Phoenix Input-1 jack and output though Output-1. You can position the Phoenix volume board anywhere around you for comfort, especially for left handed playing. Using the Vactrol is true resistive control with no distortion to the original sound. (Unless Overdriven)

Now Visit - Step-#4  Adding the final Volume Control components.